Sunday 31 October 2010

stop shaking! or shake a lot!

Recently I was looking at a props to stabilize the camera to get a quite smooth and stable picture.
First one that comes to mind is of course FIG RIG, which was created by Mike Figgis, a British director who made movies like "Leaving Las Vegas" or "Sopranos-Cold Cut".
Fig Rig is a surprisingly simple piece of equipment.
basically, its a circular (but not necessarily..) frame with a cross bar to mount your digital camera to. it allows you to produce steady and smooth travelling shots by absorbing all the vibrations and shocks by the arm muscles that hold the frame.





Another way of preventing the camera from shaking is a simple device that you create with a couple of bolts and a tennis ball. 





I'm currently thinking of assembling one like the above one and trying it on..


Another idea is to create a sort of device that would allow us to create a shaky way of filming.
That would have to be a sort of long piece of wood with handles on both sides and a hole in the middle to attach your device to it..



Halloween Special in Barbican!


Big Tits Zombie 3D




Aka: The Big Tits Dragon; Kyonyu Dragon; Zombie vs Strippers 5
Directed by Takao Nakano
Starring Sora Aoi, Risa Kasumi, Mari Sakurai, Tamayo, lo Aikawa



the synopsis is really simple;
A group of strippers discover a medieval Book of the Dead in the basement of their club. When one of them uses it to raise an army of the undead, all hell breaks loose; literally...

The title is pure marketing. There’s some nudity, but it’s on about the level of a Carry On film and is unlikely to upset your grandma.  Rather than the salacious promise of its title, what Big Tits Zombie delivers is goofy, low-budget fun with enough quirkiness to get by.




‘No-budget’ would be more accurate. The zombies look like they’ve come straight from the face painting stall of a school fete and there’s never very many of them. The fight scenes are endearingly shambolic and what money was scraped together seems to have been spent on a couple of choice effects.




What saves the film is its humour, energy and idiosyncratic touches. As is to be expected, Big Tits Zombie doesn’t take itself seriously at all. If it did, it would be sunk. Instead, it maintains the right nonsensical tone to fuel the ludicrous spectacles while preserving the merest touch of reality to keep you interested in the characters. The film is peppered with outlandish, inexplicable details. These include ping-pong playing zombies, a new take on body sushi and a bureaucratic hell demon.




No one is going to accuse Big Tits Zombie of being a masterpiece. It’s not trying to be. But, unlike the majority of quickly cobbled together low-budget horrors, the film manages to achieve its modest aims. It' a funny way of portraying a Japanese culture, manga horrors. Quite a laughable surprise from Barbican..





For me it's an example of a making movies as you really want them to look.
There is nothing that anyone of us couldn't do to achieve this standard.
A bit of home made props, make-up, even the acting is quite like many of us could pull off.
Yet this movie made to a screen of Barbican, and surely, it's not because of it's greatness!





Monday 25 October 2010

southbank part 2

what paths do we take when are just walking around? do we go left cos we are hungry, or right cos its a better view?
or maybe our feet takes us to a places where we can feel better, higher, closer to the sun? where would you go?


southbank part 1

My first vist to the site.
What do i look at?
People's paths.. Their moving directions. What is making them choose the particular way, what makes them go right, left, slower, more hastily.. Is there any boundaries and ways of moving that was planned for us? What makes them different from each other? Are they only our paths? Do they have any other meaning?















What creates my path?
Is it only the wall or stairs?
Maybe there is something else to it? For example the number of stairs?
Or a view that you see while walking?












As we travel through the space we see and don't, we are being seen and we are hidden.













Southbank is a place to show, its a gallery, theatre, summer festivals take place here.
i think its interestning where can you go here and what can you see.
What determines out perception? And why is it happening in a particular moment of our journey?









observations tbc..